Ok, it doesn't take much to get me excited. Hands free Page turns and moving between charts was very cool, along with a fine point stylus to make changes and notes. It wasn't all a loss, turns out the irig blueboard is AMAZING with for score, made it really easy to use charts on that gig and the gigs the next week, which were necessary. Ha! It was nothing intentional or dramatic, just had a lot of bass work lately that required extra practice and attention, and when I got asked for more stage volume on my new years eve gig having a current iteration of a 60's group I got turned around and sold everything musical that wasn't nailed down! Now I have a killer sounding bass rig though, so that's good. NameDescriptionPlatformamsynthSubtractive / virtual analogLinux/MacApplied Acoustics Chromaphone 2Physical modelled percussionWindows/Mac, VS.Applied Acoustics Lounge Lizard EP4Physical modelled electric pianoWindows/Mac, VS. Picked up a slamming envelope filter though, thanks to justin Timberlake making an envelope filter a requirement for cover band gigs these days. I invested too much money in amp modeling apps that I'm not going to use. And my 2011 macbook air that I bought used is plenty powerful for my needs too, although it's too "old" to do airdrop.Īnyway, that's my 2 cents, I'm not leaving but definitely haven't been as interested in the "app race" lately. I have all the apps I'll ever need to make music and I'm looking at only hardware these days, no desire to replace my air 1 anytime soon. Sad to see my air1, which had still never hit a processing wall, now considered out of date. I decided to stop using ios in my live rig except for mixing monitors, etc, but not as a sound generator. I've been away for a little bit, lots of bass work lately and a complete revamping of my bass setup.
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Note: You can only go for this achievement in the Bellwood level. If you have gotten to a point where you reach the end of the level, but you don't get the achievement, then you can always restart the level from the "Level Select" screen, or complete the playthrough and re-try when you move onto Step 2 of the walkthrough. Once you have destroyed your 15th car, the achievement will unlock. Some of the cars in this game are fairly hidden and can be missable if you do not pay attention as to where you are going. Tip: Make sure you search around each roadside and street area before moving onward. The only character form that can destroy the cars is Humungousaur, so whenever you see a car, make sure you transform into him and simply press multiple times to bash it around. For a confirmation that the game has registered the car destroyed, you need to keep on bashing it until the car is black, flat, and has smoke around it. As you playthrough this level, you will notice cars scattered around in the street and the roadside areas. This is the first achievement you can go for, and this is the only misc achievement throughout the entire game. You also have all of your character forms you can choose from in this level, which allows you to witness your full collection.Ĭharacter Forms you can change into in this level: Spider-Monkey, Humungousaur, Big Chill, Swamp-Fire, Cannonbolt, Goop, Brainstorm, Echo Echo, Chromastone, Jet-Ray Overview: This is a simple introduction level that will tell you how to play the game and it gives you the weakest of enemies that are around throughout the entire game (most of them can be defeated in 1 hit using a character form). Another recommendation is that once you have acquired a checkpoint in the level you are playing, that you continue onward, find the collectibles in that level, and complete it without leaving the game or turning off your console. However this is known to not always happen to every player that decides to do this. Note: The collectible achievements are known to be glitchy in which they may not unlock due to choosing to play Step 2 first before resuming on Step 1 and completing the playthrough of the game. This is the Clownfish Voice Changer Google Chrome extension for changing your voice online.Īny web application that uses a microphone or other audio capture device will be affected.
He believes murals are flourishing globally, “but as far as record stores utilizing the talents of a mural artist goes, I know of very few. Glenn Case is the man behind the paint brush in Seattle. One such place is Seattle, where record stores like Easy Street and Silver Platters offer up their exterior walls to artistic recreations of albums covers by Pearl Jam, The Lumineers, and even Lana Del Rey. But it wasn’t iTunes and the Internet that killed the mural music murals went the way of vinyl as computers and printing presses made it possible to churn out giant, weather-resistant posters.īut just as vinyl is upheld as the purest way to listen to music, in a few places around the country, the album mural is considered the purest way to market music. Yet, like every aspect of the music industry over the years, technology has changed just about everything. Record Store Day reminds us of the place in-between those two worlds – where indie record stores still remain, in-store performances are held, store window fronts are transformed, and, in some places, were external facades become canvases for life-sized album cover art.Īt the heart of Record Store Day is the celebration the “art of music,” and for the indie record store of yore, there was no greater art than the album mural. “Lakehouse” – Of Monsters and Men from My Head Is an Animal “Blunderbuss” – Jack White from Blunderbuss At the other end is the iTunes marketplace takeover where the likes of Jack White and Of Monsters and Men are able to promote pre-sales, new tracks and full albums. At one end – where most bands live – is a van driving from club to club and merchandise ready to sell at the end of each show. When you think of album promotion, there are two ends of the scale.
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